Weaving Together Histories: Threads of Kin and Belonging

Unveiling the Stories of Indigenous and Black Communities

In the heart of Winnipeg, an extraordinary exhibition is about to unfold. Threads of Kin and Belonging: A Trinnipeg Live Mixtape Project, a groundbreaking collaboration at the Winnipeg Art Gallery-Qaumajuq, will shed light on the intertwined experiences of Indigenous and Black communities within Treaty One territory.

Elliott Walsh, a.k.a. Nestor Wynrush, co-curator of the exhibit, challenges us with a poignant question: "How do we make these spaces welcoming to all?" Recognizing the need for diverse representation, he exclaimed, "We [Indigenous and Black folks] are not a monolith."

"Art has the power to mirror our own identities. Yet, our representation in gallery spaces remains so limited," said Walsh. The exhibit aims to rectify this imbalance by showcasing the rich history and contributions of these marginalized communities.

Documenting the Black Experience in Winnipeg

Among the intriguing pieces on display is a collection of photographs on loan from the Manitoba Museum, capturing the history of the Menelik Lodge. This organization, founded by sleeping car porters, provided a beacon of support for the Black community, fostering fundraising, education, and social events.

Expanding the Gallery's Collection through Diversity

While the Winnipeg Art Gallery boasts an impressive collection of Inuit art, its permanent collection has historically marginalized Indigenous and Black artists. To address this imbalance, the gallery has selected pieces for deaccessioning, with the proceeds dedicated to purchasing artwork from underrepresented groups.

"Why Not Help Tell a Few Stories?"

When the opportunity arose to co-curate the exhibit, Walsh initially hesitated but was inspired by a profound thought: "Why not lend a voice to a few stories?" The result is an immersive experience featuring 25 artworks by seven Black and six Indigenous artists from around the world, accompanied by audio descriptions for accessibility.

The Power of Collaboration and Intersectionality

Julia Lafreniere, co-curator and head of Indigenous ways and learning at the WAG-Qaumajuq, emphasizes the profound resonance of the exhibition: "It's the essence of this project: being stronger together. By sharing our stories, we learn more, and our message becomes even more potent."

"As a Black and Indigenous person, I navigate different spaces with varying levels of privilege," said Lafreniere. "It's crucial to showcase the work of Black and Indigenous artists, who have been historically excluded from the mainstream," she added.

Inclusive Design for Accessibility

Elliott Walsh, as an artist who relies on a wheelchair, has ensured that all artworks are installed with accessibility in mind. "Art is for everyone," he proclaimed. "Our team has taken great care to ensure that mobility needs are considered throughout the exhibition space."

Threads of Kin and Belonging opens to the public on February 8th, 2023. This extraordinary exhibition will inspire and challenge our perceptions, weaving together the diverse threads of our shared history.